|Posted by The Wolf Radio: Planet Country Radio Show on May 17, 2016 at 4:45 AM||comments (2)|
How smart are Florida Georgia Line! That statement is bound to annoy a few tradionalists. Fresh off the successful release of H.O.L.Y, the first single off their forthcoming "Dig Your Roots" album, Tyler Hubbard and Brian Kelley have already begun touring the states.
The Dig Your Roots tour kicked off May 12th local time in Tupelo, Mississippi.
It's an interesting tactic, touring with only one single released. Fans lucky enough to attend the concerts get to hear new music before the rest of us... but those fans have shared the love... literally.
Videos have been shared on social media sampling the yet to be released music and we have to give a shout out to an absolute legend in Ashley Mooney who published three complete live performaces of unreleased tracks off the incoming album inlcuding the title track,
Dig Your Roots:
Life is a Honeymoon:
Whilst Aussie fans sadly missed out on hearing the new music when the band toured Australia earlier this year, FGL have promissed to return down under. The music video for H.O.L.Y was actually filmed in Australia whilst the band was on tour and it features THubb and BK's wives in some scenes thus making our continent a special place in their hearts and giving further reason for the duo to return.
Videos by Ashley Mooney, article by MJ. Published on 17.5.16 - 7:20 PM
|Posted by The Wolf Radio: Planet Country Radio Show on April 26, 2016 at 8:20 AM||comments (2)|
If you haven't seen the news across their social media posts today, Florida Georgia Line are going to drop their first single from their forthcoming album this Saturday (Aus time).
The single is called Holy... or is that H.O.L.Y. ? It's the first release from FGL since Confession in 2015 which was off their 2nd album, Anything Goes (2014).
We can get a rough idea of how the single may sound after Florida Georgia Line's Tyler Hubbard and Brian Kelley revealed more details about their highly anticipated third album on Lon Helton's Country Countdown USA a couple of weeks ago.
Speaking to Lon Helton, BK said of the album: "It feels good, it’s more mature, and we don’t want to make the same album. The songs are better. They’re deeper.”
It's also worth noting that Dig Your Roots is not only the name of the launch tour and album but is also the title track. "It’s a song we wrote last year, and we love that song, it represents the album as a whole, where we’re at, where we’re headed," BK added.
Tyler said "BK has more lead vocals on this album, which is different from the last albums as well. He’s singing the whole song on three songs on the album. It’s been great to grow together as singers and vocalists, BK sings lead, I sing harmony, we’re excited. It’s gonna be cool to do live." - You can hear a preview of one of BK's songs here as well as a preview of a second.
Speaking to Taste of Country, BK and T-Hubb said the new album will be a man's album with songs for married guys who still like to party. Fitting, as the best mates have both tied the knot to their partners.
Additional news on Dig Your Roots includes Tim McGraw collaborating on a song with the duo. Not much has been revealed on that track other than it being an anthem with a "Round Here" meets "Dirt" sound.
Saturday can't come quick enough! We have many questions to be answered. Could H.O.L.Y. be a song with BK on lead vocals? Could this be the anthem with Tim McGraw? Are married guys going to throw single release parties? We can't wait to see what BK and T-Hubb have in store for us, and we know they're eager to get their new work out there.
UPDATE: Here's the music video for the new song, filmed right here in Australia:
Article written by MJ and edited by Jazz
For more New Country updates, follow Planet Country on Social Media!
|Posted by The Wolf Radio: Planet Country Radio Show on April 11, 2016 at 8:10 AM||comments (0)|
US New Country star on the rise Kelsea Ballerini has shared some interesting photos in her Snapstory on Snapchat that have led many of her Australian fans to believe she has found a man who will love her like he means it... sorry, we had to.
Ballerini updated her Snapstory to include a quick video of herself co-hosting the CMC Awards with Australian country music star Morgan Evans and followed it up with some cheeky shots from a wedding she was attending. To the surprise of many, the Nashville-based Aussie had joined her.
Now, the idea of the pair becoming friends wasn't hard to picture for our Big Stu & MJ, having noticed a distinct flair when interviewing the duo on the CMC Awards red carpet last month. The pair had both performed at the Snowy Mountains Country Music Festival and were set to co-host the awards program in front of a live national audiance.
Little did we know Kelsea had called Dibs! The Aussie heartthrob planted a kiss on the recent ACM Award winner just in time for a Snap. A follow up post in her Snapstory shows the artists once again looking deeply into each others' sparkly eyes. We wish Kelsea and Morgan - Korgan - all the best! We hope to catch up again soon.
Hear what Morgan and Kelsea had to say about co-hosting the CMC Awards on this week's edition of Planet Country with Big Stu & MJ - Australia's Home of New Country! Details to be posted on our facebook page here.
|Posted by The Wolf Radio: Planet Country Radio Show on March 30, 2016 at 8:00 PM||comments (0)|
KAYLENS RAIN – ALBUM LAUNCH – “In Our Blood”
Rooty Hill RSL, Friday 18th March 2016
The start of 2016 has been so busy on the country music front. The dust had barely settled on the 49th Tamworth Country Music Festival when it was suddenly time to play with the mud at CMC Rocks QLD. Then the inevitable post festivals withdrawal kicked in. Thankfully we only had to wait another week until the Kaylens Rain album launch! What at first seemed to be a delay in the release for no discernible reason, turned in to a clever piece of programming. With the festival hoopla behind us we could focus on brand new music from one of Australia’s premier country acts.
When you talk with Kaylee Stewart (nee Harrison) and Glen Harrison it is apparent that the accolades and adulation they garnered upon the release of their debut album “Found” hasn’t changed their down to earth personalities. While this is a welcome attribute, something that is also clear is that the sibling duo felt the weight of expectation upon them to deliver a worthwhile second album. Fans and the industry itself were abuzz with anticipation for another set of killer tunes with the requisite harmonies it seems only a brother and sister can produce, along with easy listening guitar riffs and clever song writing that was laden in their debut.
We spoke with Glen and Kaylee at the Sydney Country Music Festival last October, around the time they were laying down the new music in Andrew Cochrane’s FX Productions studio and back then they were saying they were well aware of the time between releases but they had been very conscious of finding the right songs and being absolutely sure about each track that would find it’s way onto the 2nd album.
What must seem like an eternity later, the duo were on stage at Rooty Hill RSL to launch the album with full band backing, including Kaylee’s new husband Joel Stewart on bass. The night opened with an acoustic set by rising singer/song writer Melanie Dyer who set the scene with a collection of her powerful country pop. Mel then doubled as the MC to introduce Kaylens Rain.
“Lost in the moonshine” kicked us off before Glen advised that they were playing all the songs off the album and that presented a real challenge. Title track “In our blood” was next up and the duo explained that it was about their sibling connection. An almost electro-drum sound presented a new sound for Kaylens Rain and gave credence to Glen’s challenge explanation.
The duo thoughtfully interspersed tracks from their debut album and these were well received by the knowledgeable crowd. “Waiting on a bus” was always a favourite of mine and it seems I wasn’t alone on the night. New song “Go there” has a message about being yourself and remaining genuine.
Kaylens Rain has always included some interesting covers in their live shows and the launch featured a couple of great versions of well-known songs. “Back for good” is one of those songs that has everyone waving their phone lights in the air, which is a lot safer than the old gas lighter days at concerts.
Kaylee described “Stars don’t forget” as the prettiest song on their new album and explained that they get lost in the song when performing it. It has the same effect for the listener. Close your eyes and drift away with the beautiful sound of perfect harmonies and melodic guitar. It’s a wide soundscape and it will be more than just Kaylee’s favourite track when people listen to the album. “Take it away” is the album closer and has a 70’s guitar blues anthem feel about it.
“Outta here” is perhaps the duo’s signature song from their debut album and again proved popular on the night. My personal favourite track on “In our blood” is “Living on love”, which sees Glen take control of the lead vocals. Well, sort of. In what can only be described as a moment that would have been cringe worthy if it were anyone else, Glen struggled with the words and had to re-start. I suggest it is because of his wonderful down to earth personality that the moment stayed light hearted and if anything brought the seated crowd closer to the action and seemed to lift the spirit in the room. This is a killer song and will be a single at some point.
“Catching red lights” is a song that is well known to veteran Kaylens Rain concert goers as it was written at the time of the debut album and has been performed live since then. It is only right that it found it’s way on to the second album. “Forever dance” is an upbeat anthem that went down well with the now more heavily invested crowd. The band finished with an outdoor anthem in the form of “When the sun goes down”.
We all knew there was unfinished business so an encore was mandatory. The duo returned and belted out a cover of Fleetwood Mac’s “The chain”. The party continued with the duo’s hugely popular “Wildflower”. Glen and Kaylee thanked everyone who has had a hand in their career and the new album, including manager Tom Inglis and producer Andrew Cochrane. Lead single “Firefly summer” closed out the show and what was a brilliant album launch.
Talking with Glen and Kaylee after the show, it was clear they were relieved the album was now officially released. They should also dismiss any residual pressure they may still feel about their 2nd album living up to the hype of their debut. It isn’t the same album and nor is it another collection of similar songs. “In our blood” is a mature album that belies the duo’s (relatively) short career thus far. This is an album that could have been made by a long time band, with swag of number 1 hits behind them. Credit must go to the siblings for patient song writing and careful song selection. Props also to Andrew Cochrane, who is a master producer.
The duo along with manager Tom Inglis now face the tough call of which songs to release as singles. How do you choose, when it’s all killer, no filler!
|Posted by The Wolf Radio: Planet Country Radio Show on March 8, 2016 at 12:05 AM||comments (0)|
[Planet Country] Radio Show received a boost on the eve of their historic coverage of the CMC Awards Red Carpet and CMC Rocks QLD Festival, with existing sponsor Snap Print Design Website Castle Hill and St. Leonards renewing their sponsorship agreement for a further period.
The team at Snap, led by franchisee Noel Kelly signed on as program and station sponsor in 2015 just as [Planet Country] signed an agreement as media partner for the Sydney Country Music Festival. Mr. Kelly believes as a local franchise business owner, it is highly worthwhile to support local media including Alive 90.5 FM and a dynamic program such as [Planet Country]. “I listen to the boys show on a Thursday night travelling between the two stores and I really enjoy the modern country music they play” said Mr. Kelly, adding “I think it is fantastic that they are growing their listenership and embracing social media and I am delighted for Snap Castle Hill and St. Leonards to offer our support and encouragement”.
ABOVE: Staff at Snap Castle Hill present Planet Country with their custom Instagram Board for Sydney CMF on Halloween.
Speaking on behalf of [Planet Country], co-host Big Stu said he was thrilled to have Snap continue their association; “Local business sponsorship is the lifeblood of local media organisations and when major brands such as Snap Print Design and Web Sites become involved through a franchisee it allows the station to present high quality programming. In our case, Snap’s support has been a huge boost for [Planet Country] and it’s heartening that as we grow, they want to continue to be part of what we are creating. We are very thankful to Noel, Mitch, Oliver and the team.”
ABOVE: Mitch from Snap Castle Hill with Big Stu
The agreement takes effect immediately and will include the [Planet Country] coverage of the CMC Awards Red Carpet on Thursday 10th March and the CMC Rocks QLD Festival, Friday 11th to Sunday 14th March. Follow Big Stu and MJ on social media.
Contact Planet Country today to see how your business or brand can benefit from sponsoring Planet Country!
|Posted by The Wolf Radio: Planet Country Radio Show on November 5, 2015 at 10:50 PM||comments (0)|
Concert: 17th October 2015 - Rooty Hill RSL - Review by Big Stu
There’s a saying in business “The moment the rate of change outside a business exceeds the rate of change within it, the end is near”. That might apply to the business world, but what on earth does it have to do with a concert review? The concert in question represents a moment of change within the country music industry, which to be fair, isn’t one single business, but seeing as it is a small industry in Australia, let’s look at it as one business. By the way, this is a concert review . . .
So how did the Jay Seeney Band and Jade Holland twin EP launches change the ‘business’?
Both artists reflect a new wave (no, nothing to do with that British movement in the 80’s) of artists coming in to country from different backgrounds and all musical genres. Now there may be nothing new in that, people have been making ‘different’ styles of country for some time, but not always with the support of those established in the ‘business’, or more importantly, fans of the genre. But I sense a change in the air. Music is changing – the world over. Some mourn the generication (not a word, but I claim it when it catches on) of music. A seemingly headlong burst into over commercialised sound that fits multiple genres and maximises ROI for record companies who, quite frankly must be scared stiff about making any money at all in this rapidly changing world. By the way, this is a concert review . . .
For every mourner, there are ten-fold fans, that are lapping up current music that crosses over, under, between and around multiple styles. Remember when you read what I wrote about change outside a business? That is what is happening in music. But country, as a ‘business’ has not embraced change at the rate of that which is occurring outside. So what does that mean? Is the end near? Thankfully no, and I contend that it is because of artists like The Jay Seeney Band and Jade Holland that the end is nowhere in sight. These two ‘modern country’, ‘new country’, ‘contemporary country’, call them what you like performers are taking country in a new and exciting direction. By the way, this is finally heading towards being a concert review . . .
Before we get to the concert, and we will get there; I need to address the tutt tutters, who are fans of ‘traditional country’, ‘real country’, call it what you like. No-one is suggesting the type of country that you like has to go. No-one is suggesting that artists who play that music have to change. My synopsis of the country music ‘business’ is predicated on the belief that for the business to remain viable, it must embrace new and alternate markets. There will always be a space for traditional country, but there must be space for new country, otherwise the business fails. Think about it. How many festivals (that include all types of country) would cease to exist if ‘new country’ was not embraced. How many radio stations would be viable with only traditional country to play? And here’s the kicker, how many new fans would be turned on to country, if ‘new country’ didn’t exist?
By the way, we’re nearly at the concert review bit . . .
So, now that I’ve established the importance of this new and exciting direction for country music, why are The Jay Seeney Band and Jade Holland so important to it’s success? It’s very simple. Any other form of music’s loss, is country’s gain. Jay Seeney is a guitar virtuoso who could have been a Rock God in the hard rock world. The fact that he identifies with country and wants to bring his rock sensibilities (is that an oxymoron) to the genre should be applauded. Jade Holland grew up listening to Metallica and Alanis Morissette with her parents before discovering country. How fortunate we are that she did. The point here is that these two musicians have embraced country and we need to be sure that country embraces them. I only say this because not too long ago I witnessed some country artists virtually hounded out of the genre for being ‘too rocky’. What a load of . . .
OK, so here is the concert review. Awesome.
You expected more . . . all right then. This show had been highly anticipated for several of us Jay Seeney fanatics, but we wondered how it would work with Jade Holland. Who would get top billing? That issue was solved by having one almighty show with both artists on stage and rocking out to each-others music. The members of The Jay Seeney Band played all the music backing both artists and there was a sense that this was just one big band. I’m not sure if there are tour plans for both to support their respective albums, but it would make so much sense to tour as they played at the launch.
So you read all the way through to get to a few sentences about the concert and you waited weeks to read it. What gives? Well the wait was because I wanted to see how the fans at the Sydney Country Music festival reacted to the Jay Seeney Band. The answer is they welcomed them. The crowd wasn’t huge but there was a mix of older traditional country fans and younger new country fans and they all seemed to get on. If only the social media world was as well behaved as the fans at the festival.
I read some very nasty dribble on social media overnight about new country, relating to the CMA Awards in America. It seems the defenders of traditional country have been gloating about Chris Stapleton winning several awards over some new country artists. Maybe labelling them defenders of traditional country is a little kind, seeing as one of the pages is named “We hate pop country”. Memes have appeared declaring the death of new country and hail Stapleton as digging Florida Georgia Line’s grave. Look, I get it. You like traditional country, but do you really have to poor hate on others? I have attempted to use rationale in this article to state my position about new country and the new artists such as the Jay Seeney Band and Jade Holland. I really wouldn’t like to revert to name calling. Can’t we all just get along?
BTW, final score at the CMA’s:
New country: 8
Traditional country: 3
|Posted by The Wolf Radio: Planet Country Radio Show on February 28, 2015 at 10:20 PM||comments (0)|
TORI DARKE ALBUM LAUNCH – SILVER LINING - ROOTY HILL RSL. FRIDAY 27TH FEB 2015
Review by Big Stu.
‘Silver Lining’, the new album from Tori Darke, is one of those albums that seem to have been coming for a long time. I don’t just mean since her previous release, ‘Dreams and Chances’ back in 2011, but the lead up to Tori’s second full album has been a visible one. Often artists simply disappear off the radar while they write, record and produce an album – and then, ‘hey presto’, a brand new album arrives in the inboxes of radio people and the public get to hear it. In this case however, Tori made the making of her album a public concern, with an Indiegogo campaign to help fund the production, and the use of social media to keep fans in the loop as work progressed.
It is a refreshing approach, and although it must have been a stressful period for the artist, in a way knowing how hard she has had to work to make the album happen at all has placed it amongst the most anticipated releases of 2015.
Having seen Tori Darke play live several times during the ‘Dreams and Chances’ era, I was particularly interested in hearing how her new music stacked up to what was a wonderful selection of country/pop cross over tunes that did very well commercially and helped establish her credentials as one of Australia’s finest new breed of contemporary country artists.
The show began with a full house, with even media passes hard to come by, the stage decorated with an arc of balloons – including some silver ones to tie in with the album’s name. Before Tori took to the stage, local up-and-coming singer/songwriter Rachael Fahim entertained with a short, powerful set of songs accompanied by just an acoustic guitarist. We had Rachael in the studio for the [Planet Country] Radio Show prior to her competing as a finalist at the Toyota Star Maker event in Tamworth this year, and her performance on Friday night highlighted just why she came so close to winning Star Maker. The good news is that a single isn’t far away for Rachael and we stand by what we said on the show – ‘Her star is on the rise’.
Next up was the star of the night, and Tori Darke got straight into it, playing all the songs on her new album and providing some background to those she wrote or how she just had to have some of the tracks written by others. It’s hard to pick favourites when you hear an album for the first time. It usually takes several listens to pick out those songs that best relate to a listener’s own perspective or simply have a sound that excites your senses, so I’ll offer critique based simply upon a first listen during a live performance and a quick refresher in the car on the way home - sometimes you can’t get enough!
The set opened with the title track ‘Silver Lining’ and the delightful surprise of Tori playing an electric mandolin. From the start it was clear how well this band gelled together. Interestingly, Tori advised that the group hadn’t been able to rehearse together save for a quick run through that day, but when you have musos the calibre of Simon Johnson (who interestingly produced Tori’s first work – he must be proud of how far she has come) on bass and Brad Bergen creating the rhythm on guitar you’re in pretty good hands!
The next few tracks revealed Tori Darke to be a more mature performer these days, and it was clear that this new album was a progression rather than simply a continuation of where she was at four years ago.
An undoubted highlight was hearing the first single performed live. ‘Disposable’ has been on high rotation in country radio and has been played multiple times on Planet Country, so there was a familiarity to it on Friday night. However, Tori and band did it justice live.
The song ‘So Gone’ was announced as the next single and it proved a popular choice, with Tori asking the crowd what they thought after its performance. A resounding vote of confidence was the result and it’s easy to understand why. It’s a pure melodic country pop song which shows off Tori’s versatility as a singer. A quick listen to the CD version in the car on the way home confirmed the radio friendly nature of this song, and I predict it will be huge for Tori. It will certainly feature on Planet Country.
Another highlight was the duet, ‘We Don’t Know’ which Tori identified as her first duet in her career. The album version is sung with Mitch Thompson but on the night (and in the coming tour to support the album), the male part was sung by north coast-based independent artist, Michael Bryers. No disrespect to Mitch Thompson’s effort on the recording, but this track was the standout live performance of the album launch. I confess to not knowing much about Bryers but wow, what a voice. This song will be a single at some point and again shows another side of Tori Darke’s talent.
The songs ‘Small World’ and ‘Past A Broken Heart’ slowed the pace down before the melodic pop returned with ‘Outta My Head’, an easy listen.
Tori introduced the track ‘Better Off’ as one she had written years ago and had considered for ‘Dreams and Chances’ before placing it on the shelf. It always amazes me how song writers can write so many songs that don’t ever get recorded – I guess it’s like how I store off cuts of timber in the shed with the notion that I’ll find a use for them someday, and eventually I do. They become the perfect pieces for another project entirely.
The album closer is the anthem ‘You And Me Against The World’, which simply left the crowd wanting more. Luckily there was more to come. But first an opportunity to meet Tori, get a photo, including the mandatory Instagram snap holding the oversized frame.
Before long the stage was again in use, with Michael Bryers given an opportunity to play his own brand of country cross-over, and while support for his performance was strong, I confess to being distracted by the opportunity to chat with Tori and Rachael. I did, however, hear enough to know that Michael Bryers will find a home for his music on Planet Country, so watch this space – or perhaps ‘listen to it’ would be a better description.
Tori Darke managed to drag herself away from the crowd to take the stage again for a final performance of the 5 big hits from ‘Dreams and Chances’. This was now my opportunity to compare old and new and a couple of things came to mind. Tori Darke has grown as a performer, because she nailed the old songs with complete authority. The professional band of musos can play anything and the songs themselves haven’t aged. I mentioned a progression in her music and while that is true, there is no need to downplay her earlier work. It was very, very good.
Manager, Cameron Syrett took to the stage to remind the crowd and Tori that there was one song she was yet to perform and Tori decided to make this final performance an all-in effort as she took to the dance floor and before long it was packed with everyone helping her sing the catchy ‘You Better Run’.
It was a triumphant finale to an excellent show and the fact no-one was in a hurry to leave proved just how popular Tori Darke is, and how this album may be about to launch her beyond anything she has previously achieved.
Five stars out of five.
|Posted by The Wolf Radio: Planet Country Radio Show on September 28, 2014 at 11:40 PM||comments (8)|
KAYLENS RAIN, THE VIPER CREEK BAND, VICTORIA AVENUE
ROOTY HILL RSL. SATURDAY 27TH SEPTEMBER 2014
I have to admit, this was a concert I was looking forward to since it was first announced. The three artists on the bill, Victoria Avenue, The Viper Creek Band and Kaylens Rain are perfect examples of the types of artists the [Planet Country] Radio Show is all about. A modern, ‘new country’ sound that is fresh, contemporary and not a cowboy hat in sight! Interestingly, there was a hashtag used for the night on social media #CountryJustGotCool, which perhaps best sums up how the artists want to be seen in a country music context. The [Planet Country] mission is to grow the popularity of ‘new country’ music and break down traditional stereotypes associated with the genre, so this was a perfect concert to promote.
First up on the stage was Victoria Avenue. The all-girl trio have been gigging solidly around Sydney in the last few months as well as launching their debut single ‘Quit you’ mid-year and just a few weeks ago, their second single ‘Knock knock’. Both tracks were well received on Saturday night and the girls called on the guys from The Viper Creek Band to provide the full music backing to Knock Knock, ensuring they finished with a bang.
I was particularly interested to see how the girls sounded with just a simple acoustic guitar and occasional bass drum or cymbal sound in support of their vocals on such a large stage. The reality is that vocal strength and harmony quality will always win over a crowd, no matter how large the stage or venue. It is this aspect that impressed me most about Victoria Avenue. Having seen them a few times in small pubs, I was floored by just how good they sounded on Saturday night. They have improved as performers and one gets the impression big things are just around the corner for the trio.
Next up were The Viper Creek Band and the boys from Newcastle brought a bus load of support with them. This is a band that are unapologetically country and they rock hard. Led by energetic front man Damien Baguley, The Viper Creek Band provide a welcome shot of ‘get-up’ with songs covering the typical country catalogue of themes, presented with rocking guitars and honest vocals. The thing about this band is you get what you expect. No-one leaves disappointed and the only criticism on the night was the lack of dance floor space for those who wanted to join in on the energy coming from the stage. The Viper Creek Band is a must-see for anyone who thinks country is boring or clichéd.
The headline act on Saturday night was the brother / sister duo Kaylens Rain. These days Glen and Kaylee Harrison play with the backing of a full band and the sound is tight. I have always been impressed with Glen’s guitar playing, although I admit to finding it strange watching a left hander. Other than ensuring he stands on the right side of his sister on stage, the left handed playing is immaterial to the quality of the sound, which on Saturday night was superb.
The choice of Kaylens Rain to headline the show may have been based around their standing in the local industry, and I admit to reservations of seeing them follow such a rocking group as The Viper Creek Band. The reality though, is that Kaylens Rain are an act that is international quality and ready to take their music to the next level. I was amazed to learn on the night that the show was the group’s first ticketed performance. Although I have seen them before at free club gigs, I naturally assumed they had played shows for paying fans before. I guess the reality says more about the lowly position country music holds in the Australian music scene than anything about quality.
The fact that an act as good as Kaylens Rain is not played on commercial mainstream radio in Australia is one of my pet bug bears. Their sound has been compared to that of Lady Antebellum and yet they don’t hold an equivalent position within Australian music as Lady A do in America, and ironically it is Lady A who are occasionally played on Australian radio and not seen as a country act at all when we have Kaylens Rain, I’m going to say it; as good as anyone else in the world, playing their first gig to paying fans after releasing a brilliant first album and solid performances around the traps for a few years – All without mainstream music media batting an eyelid. Rant over!
Back to the concert. The set was well weighted with songs the fans knew and sang along to and some glimpses of new material that only whetted the appetite for a second album all the more. Kaylens Rain have always thrown in some interesting covers and the aforementioned Lady Antebullum’s newest single ‘Bartender’ was a highlight along with a haunting rendition of Fleetwod Mac’s ‘Rhiannon’, which showcased Kaylee’s beautiful voice and Glen’s (left handed) guitar skill.
The show was closed with an ‘all-in’ performance of ‘Life is a Highway’, reminiscent more of Rascal Flatt’s version than Tom Cochrane’s. It was a powerful performance with multiple guitar players jousting for position, four amazing female voices and Damien Baguley off side-stage, dancing with fans that’d had enough of the tables and jumped up on stage to get into it.
I rate the show as a triumph for the ‘new country’ sound. Traditionalists might fall off their hay bales, but this is the future of country music and it is truly in the very best hands, be they left handed or whatever . . .
|Posted by The Wolf Radio: Planet Country Radio Show on May 15, 2014 at 12:40 AM|
Welcome to New Country.
Forget everything you thought about country music. Times have changed and so has country.
Modern country music can be considered so far from the traditional notion of a rural lifestyle that the line between musical genres gets blurred, leaving listeners to consider the style and substance beyond simplistic stereotypes.
The reality is that country is listened to by farmers in the bush and bank managers in the city. It isn’t simply a case of the city dwellers longing for the rural pace either. The music conveys more than a message about billabongs and dirt roads. Rather, it’s real emotions and real issues affecting everyone that forms the basis for many songs.
Country is about escapism. Whether you need to be lifted up because you have faced adversity or whether you are mending a broken heart - yes, the cliché about country music and break-up songs might be real, but so what? It works for Taylor Swift - and haven’t we all been there? But for every song about a girl, there are others about trucks, drinks, tattoos and partying. It’s a rich tapestry!
For a city dweller, enjoying country music is about a state of mind. The misconception is that everyone stuck in the city must be yearning to leave for a better life in the bush. The reality is that anyone (regardless of their location) can identify with the themes - and the music isn’t bad either.
Some of the best guitar players in the world belong to the country genre. Some of the loudest drumming can be heard at country concerts. Yes its true there may be banjos, but it’s OK, they’re electric and they rock!
The genre bending is gathering pace. There are many country artists in America who have collaborated with artists from other genres, including rap and pop. The resulting hits have topped the charts in both country and mainstream (all genre) charts, ensuring record companies continue to promote these get-togethers. Australian artists are a bit slow to participate in genre bending, with just a few examples to date but watch this space…
Media plays a part in growing modern country music, and in Australia there are many radio stations playing mixed country music, meaning you might hear a traditional country song alongside a song featuring a rap artist and a country artist. The result is a mismatch of styles and sometimes it leaves the listeners unhappy. Many traditional country fans aren’t so accepting of the new sound - and let’s face it, if we are trying to gain new (read young) listeners to country music, they aren’t going to hang around listening to a radio station that plays John Williamson straight after Florida Georgia Line featuring Nelly.
Now there is a radio program dedicated to ‘New Country’ focusing on promoting modern music and genre bending collaborations. The tag line says it all…
Music Like You’ve Never Heard. This is Planet Country.
|Posted by The Wolf Radio: Planet Country Radio Show on May 6, 2014 at 11:35 PM||comments (0)|
Listen to a "sneak peek" at the type of hard hitting discussions that will take place on Planet Country Radio Show.
Our hosts Big Stu and MJ talk rock star wishes and Facebook fans!